![]() ![]() #Lasting impression freeWith over 800 editions by 137 produced through the studio since then, Yirrkala Print Space has become an integral and vital component of the community.Īccompanying the exhibition was a free smartphone app that provided a deeper engagement with the artists and artworks as well as Yolgnu language and culture. Yirrkala Print Space began in 1995 when a purpose built area was designed to host a printing press. Marrnyula Mununggurr and Mundul Wunungmurra Mununggurrīalnhdhurr – A Lasting Impression provided an opportunity for a wider audience to recognise the accomplishments of a sustainable, functional and thriving print studio operating in an isolated landscape. In the workshop a lot of Yolngu come and watch what we do in the print studio so they can understand the process. It’s a similar idea to the traditional designs used in the bark paintings and the wood carving, but in printmaking we get the direction from our elders to design the image of the outside story only. We have to talk about it with other people in that clan, so when the design is printed there is no problem. The design has to be done very carefully so as not to mix them up, and to understand their story. Pieces in the exhibition also revealed the significant impact the introduction of bright acrylics had on artists, which allowed them to explore a whole new genre of artistic storytelling that became a joyous explosion of colour and expression.Įvery print has to be the design of the artist’s own clan or connecting clan. #Lasting impression seriesThe Berndt Etchings series talks about the Berndt Crayon Drawings of Yirrkala, produced by the artists’ predecessors in 1947, while String Figure Prints are a response to another archaeological collection from 1948. With works from 50 artists, Balnhdhurr – A Lasting Impression included prints that are historically significant. An impression is scratched into the ground with a sign directing the future viewer to follow the right path. It describes a situation where one group goes ahead but wants to leave a message for those following behind. The exhibition title, Balnhdhurr, translates to mean a mark made as a sign for people to follow. Balnhdhurr – A Lasting Impression celebrated this space with works from 50 artists, providing a privileged insight into the nuanced world of Yolngu people of Northeast Arnhem Land. ![]() In the far Eastern corner of Arnhem Land sits Yirrkala Print Space, where, for over twenty years, the art of printmaking has prospered. ![]()
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